BOLLYWOOD, DESIRE AND THE PORTRAYAL OF WOMEN
Empower
People
has come up with another important discussion. Lecturer Hridaya Ajgaonkar comes
up with a deeply analyzed and well-organized research on the topic, “Bollywood
desire and the portrayal of women”. Aakanksha Kulkarni, a social worker and
Roohi Sahay, co-founder, and CCO of the Qrious Creative take up a discussion on
the same.
Ms.Hridaya
draws our attention to the way the audience is influenced by Bollywood movies.
It influences our behavior, style, and way of thinking. Hence, she presents
an objective analysis of “how Bollywood portrays women”. Women are
indispensable figures in Bollywood. She presents SHEILA KI JAWANI, to make us
understand the fact that though there is a myth that only the CIS male audience
watches such item songs, they also consume the interest of other people in the
population. Such songs are formed patriarchal but are not limited to the
patriarchal society. She helps us figure out a common method of the portrayal of
women in the posters of Sholay, Mother India, and Chameli. It is evident from
these posters that the women are position in a way where her torso faces the
audience. Most importantly there is a lack of eye contact. It is a strategy to evoke scopophilia in the
audience.
She
then depicts the paintings of Baba Sahib and Raja Ravi Varma. These paintings
clearly define the qualities of the so-called “ideal woman” and “non-ideal
woman”. The ideal woman is often portrayed as being sacrificial and possessing
a pretty and fair-skinned body while the non-ideal woman is depicted as bare-breasted,
dark-skinned, and consuming erotic gaze.
She
speaks about a witty manner by how Bollywood tackles the taboo of
sexuality. Dream sequences westernized women, drunken men at the background of
an item song and skeptical illustrations are great formulas to deal with the taboo of sexuality.
Narrow
casting on online platforms has given liberty to portray the desired content
with lesser restrictions. There is a worrying fact that women are used to selling
a commodity to both men and women. This could pave way for transgressive
viewing.
Ms.
Roohi adds up to the discussion by stating about the tussle between the reel
and the real. She also admits the progress and change for good in Bollywood
after many voices raised against the promiscuous portrayal of women.
Ms.
Aakanksha shares her opinion on a subjective view and tells how movies and
women's portrayal affects women on daily basis.
To
conclude, movies are a medium for addressing a huge audience. This is a
powerful weapon to bring out a change in any context of human social life. Let
us hope that changes continue to happen for the better portrayal of women in a
respectful manner. Let us hope for liberty with morality.
COMPILED BY: OVIYA E